A person wearing white gloves holding a wooden lizard
A person wearing white gloves holding a wooden lizard
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This special wooden lizard is being returned to the lands it was made on

After more than 50 years, 250 Indigenous artefacts discovered in a private collection are now being returned home to the communities that created them - on the Tiwi Islands and beyond.

Published 26 March 2023 6:18pm
By Laetitia Lemke
Source: SBS News
Gibson Farmer Illortaminni turns over an intricate carving of what looks to be a prehistoric creature. It’s a frilled-neck lizard in full flight.

Standing on its back legs, face angled to the sky, the 40cm-long reptile appears ready to run.

The paint markings along its body are traditionally seen in Indigenous art from Australia’s Tiwi Islands and were immediately familiar to Mr Illortaminni.

“I knew straight away that was my grandfather’s work,” he says proudly.

“I saw it and I had tears!”
A man wearing white gloves holding a wooden lizard.
The frilled neck lizard was created by Gibson Farmer Illortaminni's grandfather, Jack Illortaminni, in Paru in the 1960s. Source: SBS News / Laetitia Lemke
The 64-year-old is a senior Elder of the Mantiyupwi people. He grew up on the Tiwi Islands, which are north of Darwin, watching these sculptures being created, and is now the chairman of the Tiwi Land Council.

Mr Illortaminni has clear memories of the Paru community, where the lizard carving comes from. Dozens of families lived there, on Melville Island (the larger of the two Tiwi Islands), in the 1960s, working to provide food for the nearby Catholic mission.

“My grandfather worked at the bakery,” he says.

“When they used to finish work then they used to do these carvings.”
A wooden carved crocodile
A carved crocodile by Mickey Aruni has also been discovered among the collection. Source: SBS News / Laetitia Lemke
Frilled-neck lizards are a feature of the Tiwi Islands and can be seen across northern Australia.

Mr Illortaminni says his grandfather, Jack Illortaminni, would ferry his creations by canoe to the mission at Wurrumiyanga for sale.
The lizard has now outlasted the community it was created in.

As government funding flowed to provide water, power, housing, schools and clinics to other centres, the homelands of Paru were abandoned.

“Now there’s one or two white people [living there],” Mr Illortaminni says, “but my people want to move back.”
A stone axe made my Pipero Munkara on Bathurst Island
A decorated stone axe made with traditional materials by Pipero Munkara on Bathurst Island. Source: SBS News / Laetitia Lemke
“We need to put [this art] somewhere, so my family can have a look – especially those kids going to school, they haven't seen this artifact in their lifetime.”

Mr Illortaminni believes returning the objects will help educate young people on Tiwi traditions that pre-date colonisation and Catholic missions.
“It should go back to the rightful people … We have to tell [these stories], like what really happened in the past, so our kids can understand what really occurred on the island.”

More than 3,000 people live on the Tiwi Islands today and more than 90 per cent are Tiwi.
A collection of spears are lined up on a bench. They are all different. Some are carved timber, others are made with a stone head.
A collection of spears from across the Northern Territory. Source: SBS News / Laetitia Lemke
“Tiwi people have long considered themselves to be different from the inhabitants of the mainland and do not consider themselves to be Aboriginal; instead they consider themselves as being uniquely Tiwi,” the Tiwi Land Council states.
The frilled-neck lizard was discovered in a private collection of more than 250 pieces in the small Victorian town of Creswick, just outside Ballarat, late last year.

Its owner, John Morris, bought the items during the 1960s and 70s while working as a lay missionary, and then a federal government patrol officer, on the islands.

Detailed logbooks he kept at the time show he bought the works legitimately and for modest fees, reflective of the time.
A wooden butterfly with a label next to it
A butterfly carving by Jack Illortaminni. Source: SBS News / Laetitia Lemke
“He realised as soon as he got there that there was an enormous art inheritance on behalf of the Tiwi and that people were still producing art, but that times were changing … and this was having an impact on how art was being created,” historian Peter Forrest says.

Mr Morris is now gifting the items back to the Tiwi Islands.
A carved cockatoo and other wooden objects
A carved cockatoo stands amidst a collection of works from Paru. Source: SBS News / Laetitia Lemke
“He realised that if he died, the collection might be in some peril of being sold up and dispersed and he didn’t want that to happen,” says Mr Forrest, who is a friend and collaborator of Mr Morris.

Mr Morris declined a request for comment from SBS News.
It should go back to the rightful people … so our kids can understand what really occurred on the island.
- Gibson Farmer Illortaminni, Tiwi Land Council chairman
As the boxes arrived at the council head office in Darwin, just before Christmas last year, the true extent of the gift was realised.

Mr Illortaminni’s grandfather’s works, including a carved butterfly, a detailed junglefowl and a plump bandicoot - as well as the plucky lizard - feature heavily in the collection.
A carved face and neck, with detailed ears, nose eyes and mouth, painted in the Tiwi cross-hatching style.
Carvings included in the collection. Source: SBS News / Laetitia Lemke
“I was amazed at how he was an artist, how he put that lizard together, they used a special glue from the bush to put them all together,” Mr Illortaminni says.

“The young generation, they’ve got that white-man glue that they mix up with the paint to make it stick – this was done [the] really hard way.”
Ceremonial arm bands decorated in white, black, ochre and yellow paint.
Wide ceremonial armbands. Source: SBS News / Laetitia Lemke
The artworks reflect communities across the Tiwi Islands, with pieces from the mainland as far south as central Australia as well. Negotiations are underway with other land councils to ensure all the work is returned to the right people.

“It was just like opening a magic box, it was just incredible,” Tiwi Land Council senior anthropologist Helen Haritos says.

“Gibson was over the moon.”
A woman wearing white cloves reaches for a basket in a glass cabinet
Anthropologist Helen Haritos and a woven basket from the collection. Source: SBS News / Laetitia Lemke
“There’s a huge collection of spears, several musical instruments ... a couple of didgeridoos and tapping sticks, a lot of ceremonial artifacts and ornaments - even a goose feather ball, which people would wear around their neck.”
While the national eye is on the repatriation of human remains and objects like these, finding the funding to support such efforts has been difficult.

Yanuwa, Larrakia, Bardi, and Wardaman woman Franchesca Cubillo is the Australia Council of the Arts' executive director of First Nations arts and culture and has spent 30 years working across the art and repatriation space.

She says gifts like Mr Morris's collection are still a rarity, but the activism of Aboriginal and Torres Strait Islander people has improved the general understanding that such objects come from a living culture.
A man holds a piece of decorated bark
Gibson Farmer Illortaminni holds a bark painting showing Larrakia and Tiwi men fighting with spears over women. Source: SBS News / Laetitia Lemke
“Therefore to give back, even though it may have been purchased, it enhances ethical engagement,” she says.

“It is a great gift to the community and one that should be encouraged from all researchers and ethnographers.”
A cluster of orange and black feathers
A ceremonial headdress made of cockatoo feathers. Source: SBS News / Laetitia Lemke
Ms Cubillo says First Nations people must be supported to be able to receive objects back to community, particularly in the tropics where items can quickly break down in humid and hot conditions.

“That’s where the federal government really does need to think more thoroughly in terms of repatriation; when they are gifted back to the Aboriginal and Torres Strait Islander community, where will they be stored? So these communities have facilities in place for safekeeping for their future generations?”
A fishing net edged with sticks.
A finely woven fishing net from Maningrida that has been gifted back to the Gunavdji people. Source: SBS News / Laetitia Lemke
Helen Daiyi is the Tiwi Land Council's lead policy officer and has started the job of working with clan groups to determine which areas the artefacts should be returned to.

“People were saying, ‘that’s my mum’ and ‘that’s my dad’ and ‘that’s my grandfather’, and seeing the emotion of that memory for people, captured right there [in the artwork], and to have that returned, it was very, very special,” she says.
People were saying, ‘that’s my mum’ and ‘that’s my dad’.
- Helen Daiyi, Tiwi Land Council policy officer
Philip A Clarke, the former head anthropologist of the South Australian Museum, has been advising the TLC on the collection.

“They still need to be sorted and perhaps classified … if indeed there is any material in there that is too culturally sensitive,” he says.
A collection of wooden objects
A tableau of a Tiwi pukumani (burial) site with miniature painted pukumani poles surrounding a timber mound grave. Source: SBS News / Laetitia Lemke
Resources at the small land council are stretched, so communities are hoping to attract government funds to help them process and store the items.

Ms Daiyi says there are strong hopes the frilled-neck lizard will herald a return home to Paru homelands.
“It is an auspicious omen that good things are ahead for that community to once again have the potential to be a hub, rebirthing the next generation of Tiwi culture and a return to Country,” she says.

The TTiwi Land Council is also applying for funds to get essential services and housing to the site in the hopes of reviving the once-thriving community there.

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